This all culminates in a David Rawlings-esque delivery suited to the album’s vibes. He occasionally allows vocal lines to drift off in whichever direction they desire, evoking a Bob Dylan impression that is a little too on-the-nose. Vocally, Johnson performs as one might expect, but leans into a twang that he seems to have adopted amidst the folksier compositions. Kaufman’s production fits like a glove on The Pet Parade, and Johnson rides over it with the ease of an American muscle car on an empty highway. Last year’s Bonny Light Horseman was a particularly rustic detour for Johnson, and while not completely out of his wheelhouse, it was particularly stripped back, making the most of the folk fundamentals. This time around, Johnson has enlisted folk music veteran and now-Bonny Light Horseman bandmate Josh Kaufman to craft the soundtrack to a hot and lazy Sunday best spent on a front porch. The band’s latest, The Pet Parade is a sunbaked retreat from these escapades. Variations to the formula came and went, from Mouthfuls with its tinges of electronic influences to Tripper in its vast and spacious scope. Johnson has grown comfortable with Fruit Bats.
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